Glacial synth-pop perfection With the release of new album Matters, Brighton-based outfit Fröst have reached a particular milestone on their continuing musical journey into transcendental pop. Consisting of French-Swedish sound artist Johanna Bramli (vocalist for Stereolab offshoot Imitation Electric Piano) … Read More
Eats shoots and leaves The Norwich duo of Rosa Walton and Jenny Hollingworth, collectively known as Let’s Eat Grandma, have been rapidly gaining attention since their 2016 debut album I, Gemini. Their latest album, the mercurial I’m All Ears, offers … Read More
Dancepop deconstructed Caroline McLavy emerged during a particularly fervent period of the grassroots electronic music scene. She’s graced the stage at a variety of electronic music events, including the 2017 Silicon Dreams Festival, where her emphatic vocal style and confident … Read More
Iconic synth-pop tune gets a modern interpretation Attempting contemporary arrangements of classic synth-pop songs is always a daunting task. There’s always a danger that it will fall into parody or fail to do justice to the original. Yet, when the … Read More
Chamber pop perfection It seems like a gulf of time since Princess Chelsea’s last studio album outing The Great Cybernetic Depression graced us with its presence. We summed up the 2015 album in our review at the time as “…a … Read More
On the occasion of Pål Waaktaar-Savoy’s 57th birthday, we present a revised and expanded version of an article we originally published last year about the guitarist’s projects outside of a-ha: http://www.electricity-club.co.uk/lifelines-the-side-projects-of-a-ha/