INTERNATIONAL WOMEN IN ELECTRONIC MUSIC DAY

On International Women’s Day, a showcase for those women who work in the world of electronic music…

International Women’s Day, which falls on 8th March each year, has become an opportunity to not only recognise the achievement of women throughout history, but to also raise awareness of issues such as gender equality, violence, women in science & technology and to promote the aspirations of girls and women worldwide.

On the basis that women have made a significant impact on the world of electronic music across decades, with people such as Delia Derbyshire, Daphne Oram, Bebe Barron, Wendy Carlos and Laurie Anderson being pioneers in their own distinct ways, we thought that we’d celebrate in our way with an International Women In Electronic Music Day.

It’s not always been an easy time for women in music and even today there are challenges and problems that have made the path difficult for some musicians. Lauren Maybery of Chvrches has spoken at length about the rise in misogyny, particularly in online commentary. Equally, Claire Boucher of Grimes fame has had to address issues within the world of music production (which ironically led to some misinformed writers to conclude that Boucher was flying a flag for militancy). It’s also something that Katie Stelmanis of Austra has addressed more recently.

To celebrate the contributions that women have made to electronic music, we thought it made sense to flag up some of the musicians, composers and singers that TEC has championed in the past. This selection is by no means definite and certainly isn’t designed to present a complete picture of women in electronic music, but is purely a sampling of the broad range of electronic music that women are active in.


Princess Chelsea

If there’s one particular star on the electronic music scene that’s been on the ascendant in recent years, it’s New Zealand’s Princess Chelsea. Scoring a cult hit with the indie charms of ‘The Cigarette Duet’, her 2011 album Lil’ Golden Book also demonstrated a fine talent for wistful electronica and tales of growing up in Auckland.

Her 2015 album The Great Cybernetic Depression cranked the electronic elements up to ’11’ and showcased songs that had a much more raw and personal edge. There was also a concept album approach which La Chelsea herself described as: “it represents a personal and societal depression due to social change triggered by technology.”


Hannah Peel


The varied musical career of Hannah Peel has presented a musician and composer with a particular ability to craft evocative melodies and compelling lyrics. Her most recent release Awake But Always Dreaming was assembled from the singer’s own encounter with the debilitating effects of dementia in her own family.

‘All That Matters’ combined fine electronic pop elements with a sweeping, uplifting quality to it. Released as a single, the track employs a combination of synth hooks and strings measured against Peel’s haunting vocal.


Marsheaux


Hailing from Greece, Marsheaux combine the ethereal vocal style of Sophie Sarigiannidou and Marianthi Melitsi with distinctive percussive rhythms and unashamedly electronic melodies. Their 2003 debut album E-Bay Queen and 2006 release Peekaboo demonstrated both an ability for original synthpop married with a smart choice of cover versions (such as The Lightning Seeds’ ‘Pure’ and New Order’s ‘Regret’).

Their most recent release was Ath.Lon although, arguably, it was their phenomenal 2009 album Lumineux Noir that set the bar. That album demonstrated a clear linear progression from their early material through to the bold, impulsive electronic masterpiece that few contemporaryacts have managed to emulate.


Kid Moxie


Originally from Greece, but now resident in LA, Kid Moxie is the musical moniker of Elena Charbila. Kid Moxie’s music is a blend of powerful beats, pop sweetness and haunting melodies. She’s collaborated with the likes of Twin Peaks composer Angelo Badalamenti and Clint Mansell and more recently released the excellent Perfect Shadow EP.


Susanne Sundfør


Susanne Sundfør’s musical career set a particularly high standard with the release of her 2015 album Ten Love Songs. The Norwegian musician’s glacial landscapes of electronic melancholy had a very particular personal touch and it’s small wonder that the album received critical acclaim.


Austra


Katie Stelmanis was another Canadian musician who made an impact in the world of electronic music on the back of several releases by Austra. From 2011’s Feel It Break through to the most recent album Future Politics, Stelmanis has brought to bear not only a stellar talent for tunes, but on the latest release a more pronounced commentary on politics.

The familiar bassy synth tones that Stelmanis has crafted as part of the classic Austra sound provide the foundations for ‘Utopia’. This rumination on the “collective depression”, that Stelmanis suggests is a result of city living, has strong hooks and melodies as some smart percussive frills keep the song moving along.


Grimes


The phenomenal success of her previous album Visions clearly caused something of a dilemma for Claire Boucher. The album had, in many ways, been a gear change from her earlier work in opening up the often cryptic soundscapes that had been the trademark sound of Grimes previous.

But Art Angels delivered a much more commercial vehicle for Grimes that could have swayed fans had it not been for the quality of the material on the album. Grimes goes electropop for ‘Kill V. Maim’ with its harsh percussion and insistent bass beat, sounding as if Hooky had dropped by the studio for a session. Again, it’s a fine example of the natural evolution of the Grimes sound. “I’m only a man/do what I can” intones Boucher on one of the more memorable tracks on the album.


Marina And The Diamonds


Marina Diamandis has consistently produced top tunes under the guise of Marina And The Diamonds, but also manages to switch gear on every subsequent release. The intimate Froot was an example of the talent that the Welsh musician can bring to bear.

‘Forget’ was one of Froot’s hidden gems with catchy hooks and a euphoric chorus. It’s lyrical themes of regret and moving forward utilise Marina’s smart wordplay as she regrets the times spent chasing rabbits when “I was born to be the tortoise/I was born to walk alone”.


Polly Scattergood

There’s a good combo of the ethereal with the more intense part of the electropop spectrum in dark pop chanteuse Polly Scattergood’s material. Her 2013 album Arrows received critical acclaim and Scattergood describes herself as a storyteller: “I write about emotions and moments, not all are biographical”.

More recently Scattergood lent her vocal talents to a reworked version of ‘Video Killed The Radio Star’.


Christine And The Queens


French outfit Christine And The Queens managed to make an impact in 2016 via the subtle electropop touches of album Chaleur Humaine. Founder Héloïse Letissier, who has described Christine And The Queens’ sound as “freakpop”, managed to bring a Gallic charm to electronic music alongside visually arresting choreography for live shows. Huge in France, Christine And The Queens gained a broader audience through a 2015 US tour with Marina And The Diamonds.

2016 brought us the UK release of ‘Tilted’ whose oddly effective ‘reversed’ melodies and engaging beats helped pave the way for Chaleur Humaine. ‘Tilted’ represents an approach that slips easily into accessible commercial pop, but that’s not necessarily a bad thing for a catalogue of work that features an intriguing talent at work.


Princess Century


Occasionally on percussion duties for Austra (and formerly part of TR/ST), Maya Postepski has also carved out her own singular electronic music path under the guise of Princess Century.

Dipping into “minimalist cosmic disco psychedelia” as well as the “weird Krauty EDM vibe” of recent material, there’s something oddly compelling about Postepski’s unique electronic explorations.


Lola Dutronic


The trans-global duo of Lola Dutronic have been pushing out quality electronic music since 2004. From adaptations of 60s French pop through to musings on modern pop culture, the outfit’s finest moment to date is arguably their 2015 album Lost In Translation album.

One of the strongest components of Lola Dutronic is the sultry vocals of Germany-based singer Stephanie B – here working wonders on a sequel to one of their best songs.


Goldfrapp


The collaborative duo of Alison Goldfrapp and Will Gregory have charted an intriguing career arc following on from debut release Felt Mountain in 2000. It included dips into ‘folktronica’ evidenced on 2008’s Seventh Tree and the synth optimism of Head First in 2010. Meanwhile, 2013’s Tales of Us was considered by some outlets as a return to form (as the phrase goes).

Forthcoming album Silver Eye has been in development for some time and appears to be cast firmly in an electronic mold.


Marnie


Better known as being part of electropop outfit Ladytron, Helen Marnie has been keen to pursue a solo path in recent years, which led to 2013’s Crystal World album.

Marnie’s distinctive vocal style leaps out from any tune that she puts her hand to. With the reveal of new song ‘Alphabet Block’, she also announced details of a follow-up to Crystal World in the shape of the forthcoming Strange Words And Weird Wars. The official stance on the album is “soul crushing synths are wonderfully accented by hook-laden choruses as Marnie boldly explores up-tempo electro dream-pop”. Which we certainly can’t argue with.


Fifi Rong


Originally hailing from Bejing, Fifi Rong’s beguiling music encompasses a broad range of influences, including electronica, dub and hip hop. It’s a sound that’s continued to captivate both the music press and fans alike since her 2013 debut ‘Over You’. Or as Fifi herself once put it: “It’s a very individual and intimate language that I speak, with unfiltered and naked feelings of my own, for those who want to join me and listen to something real.”

‘Future Never Comes’ gives her sultry vocals a cinematic soundscape. “’Future Never Comes’ is by far the most epic-sounding track I’ve made” says Fifi, “with a lyrical theme going back to my initial breakthrough of the fear for pursuing my dream and answering my calling. Making this track as a collaboration feels like taking a glorious vacation away from being immersed building my own island.”


Learn more about International Women’s Day via www.internationalwomensday.com


2017 NEW RELEASES

A look at some of the year’s forthcoming electronic music releases…

2017 is already shaping up to be a good year for record releases with a combination of classic artists and contemporary bands putting out new albums, reissues and compilations. Although not a comprehensive list (and we’ll add on titles as release schedules are updated), here’s a rundown of some of the releases that might be of interest for the electronic music enthusiast…


VANGELIS – Delectus

Collecting together the combined output of all of Vangelis’ Polydor and Vertigo albums, this colossal 12 CD box set will keep your ears busy for a whole week.

The material here has all been newly remastered and covers many of the master’s classics, including Earth, L’Apocalypse Des Animaux, China, See You Later, Antarctica, Mask, Opera Sauvage, Chariots of Fire, Soil Festivities and Invisible Connections. It also features his collaborative outings with Jon Anderson: Short Stories, The Friends of Mister Cairo and Private Collection.

The box set includes bonus tracks (including one previously unreleased composition) as well as a 64-page career retrospective with rare photos and essays.

Delectus is released on 3rd February.

More info:
https://www.facebook.com/VangelisOfficial
http://www.superdeluxeedition.com/news/vangelis-delectus-new-13-disc-box-set/


ANDY BELL – Electric Blue

Better known as being part of jazz/funk combo The Erasure, Andy Bell has taken to the crowdfunding route to promote a remastered reissue of his 2005 album Electric Blue.

Originally released in October 2005, Electric Blue includes the hit single ‘Crazy’ and follow up ‘I’ll Never Fall In Love’, as well as duets with Jake Shears (Scissor Sisters) and Claudia Brücken (Propaganda/Act).

The reissue, which is being run via PledgeMusic, will be an expanded 3 CD edition in a hardback book package featuring extended versions, remixes and rarities. The release also features lyrics, previously unseen images and brand new sleeve notes.

Electric Blue is out on 24th February.

More info:
http://andybell.com/andy-bell-electric-blue-deluxe-3-cd-album-reissue/
http://www.pledgemusic.com/projects/andy-bell-electricblue


NEW ORDER – Be Music

After recording ‘Blue Monday’ (the only song they ever did), one hit wonders New Order had plenty of spare time on their hands during the 1980s. As a result, they took on production duties for a variety of artists. Using the tag of ‘Be Music’, this covered production work by all 4 members of the band and took in the likes of Quando Quango, 52nd Street, Marcel King, Paul Haig and Surprize.

This 3 CD set also includes tracks by Marnie, Section 25, A Certain Ratio, Factory Floor and the underrated Royal Family & the Poor.

Among the bonus tracks is ‘Knew Noise’ by Section 25 – produced by Ian Curtis and Rob Gretton back in 1979, as well as the complete 22 minute version of ‘Video 586’ recorded by New Order in 1982.

Be Music is out on 17th February via Factory.

More info:
http://www.neworder.com/
http://factorybenelux.com/new_order_presents_be_music_fbn60.html


SAILOR & I – The Invention Of Loneliness

The glacial broodiness of Swedish electronic musician Alexander Sjödin , under the moniker Sailor & I, was a pleasant surprise which was heralded by the subtle power of new release ‘Chameleon’.

Forthcoming album The Invention Of Loneliness will feature ‘Chameleon’ as well as earlier release ‘Black Swan’. Sailor & I’s sound has developed into a lush production style with Sjödin’s vocals taking on a whispery, hypnotic presence.

The Invention Of Loneliness
is released 24th February on Skint.

More info:
http://sailorandi.se


MARC ALMOND – Hits and Pieces: The Best of Marc Almond and Soft Cell

This compilation brings together some of the best Soft Cell tunes alongside choice cuts from Marc Almond’s solo outings and collaborations.

As a result, this release (which comes in both single and double CD versions) features such classics as ‘Tainted Love/Where Did Our Love Go’, ‘Bedsitter’ and ‘Say Hello, Wave Goodbye’ from the Soft Cell years. Meanwhile, ‘Tears Run Rings’, ‘Something’s Gotten Hold Of My Heart’ (with Gene Pitney), ‘Jacky’ and ‘The Days Of Pearly Spencer’ cover the later years. Also included is new song ‘A Kind Of Love’.

While not a truly comprehensive compilation (and rumours continue over a possibly extensive Soft Cell collection), it’s a serviceable collection of Almond’s best work.

Hits and Pieces: The Best of Marc Almond and Soft Cell will be released on 10th March.

More info:
http://www.marcalmond.co.uk/


DEPECHE MODE – Spirit


Depeche Mode release their 14th studio album Spirit on the 17th March. With cover art by long-time collaborator Anton Corbijn, it is preceded by the single, ‘Where’s the Revolution.’

The follow-up to 2013’s Delta Machine, the 12-track album was produced by James Ford (whose former clients include Klaxons and Little Boots). According to Dave Gahan, “He’s not just a great producer, he’s a great musician. So he was able to guide us. Martin had written some great songs and demoed them and I had too, so he was able to take those songs and take them to another level.”

The first song from the album ‘Where’s The Revolution?’ has also been unveiled.

More info:
http://www.depechemode.com/


A FLOCK OF SEAGULLS – Remixes & Rarities


Not just a witty line from Pulp Fiction, as part of a continuing series from Cherry Red, this new release will collate a variety of rare remixes and edits from Liverpool synthpop outfit A Flock Of Seagulls.

Among the tracks featured on this 2 CD release are the US 7″ cut of ‘I Ran (So Far Away)’, an instrumental version of ‘Who’s That Girl (She’s Got It)’, live versions of ‘Space Age Love Song’ and ‘The Traveller’ as well as 12″ versions of ‘Never Again (The Dancer)’, ‘Nightmares’ and no less than 4 versions of their signature tune ‘Wishing (If I Had A Photograph Of You).

Remixes & Rarities is released on 24th March via Cherry Red.

More info:
https://www.cherryred.co.uk/product/remixes-rarities-deluxe-2cd-edition/


GOLDFRAPP – Silver Eye

The collaborative duo of Alison Goldfrapp and Will Gregory have charted an intriguing career arc following on from debut release Felt Mountain in 2000. It included dips into ‘folktronica’ evidenced on 2008’s Seventh Tree and the synth optimism of Head First in 2010. Meanwhile, 2013’s Tales of Us was considered by some outlets as a return to form (as the phrase goes).

Silver Eye has been in development for some time with an initial announcement in 2015 that the pair had been working on new songs. But it wasn’t until January this year that the title of the album was confirmed.

“We’ve never liked repeating ourselves” Alison Goldfrapp has said of Silver Eye, “Often we react to things we’ve just done. We like the spontaneity of not knowing. It’s only through the process that we start to figure out what it is”.

Silver Eye is released on 31st March via Mute.

More info:
https://www.goldfrapp.com/
http://mute.com/


ERASURE – World Be Gone

Erasure’s 17th studio album will be entitled World Be Gone and features ten new tracks written, performed and produced by Erasure and was mixed by Matty Green. The album will be available on CD, Vinyl (with download code), Limited Edition Orange Vinyl (with download code), Cassette (with download code) and via Digital Download.

World Be Gone will be released via Mute on 19th May.

More info:
http://www.erasureinfo.com/erasure-announce-world-be-gone-album-and-concerts/


MARNIE – Strange Words And Weird Wars


With the reveal of new song ‘Alphabet Block’, Helen Marnie announced details of a follow-up to debut release Crystal World.

Marnie had, of course, crafted her music as part of the mighty Ladytron in her formative years. But her subsequent solo career have demonstrated that she’s more than capable of producing good tunes outside of the iconic 4-some.

The album is a collaborative effort with producer Jonny Scott (whom Marnie worked with on 2014’s standalone release ‘Wolves’). The album itself is apparently more of a step into pop territory with a bit of shoegaze thrown in for good measure. The official stance on the album is “soul crushing synths are wonderfully accented by hook-laden choruses as Marnie boldly explores up-tempo electro dream-pop”.

Strange Words And Weird Wars is out on 2nd June.

More info:
http://www.helenmarnie.com/


FADER – First Light

Fader is a new collaborative project hatched between Neil Arthur (Blancmange) and Benge (John Foxx And The Maths/Wrangler). The title track of debut album First Light was unveiled online in March 2017.

Benge co-wrote and produced the critically acclaimed Interplay album with John Foxx, released in 2011 under the name John Foxx & The Maths. Benge also performed with the outfit for live performances and on further album releases. More recently, Benge has started new project Wrangler featuring Stephen Mallinder and Phil Winter.

First Light was recorded and mixed at Benge’s MemeTune Studios while Neil Arthur recorded his own vocals in his home studio. The resulting album is full of twisted electronic pop songs and haunting atmospherics with lyrics from Arthur that explore internalised, dead-of-night fears to stream-of-conscious visions of city life and evocative descriptions of lost and lonely figures who find themselves out of time and out of place.

First Light is released 23rd June.
More info:
https://fader.tmstor.es/


EMPATHY TEST – Safe From Harm

The atmospheric synthpop produced by combo Empathy Test offers a refreshing and original change from many of their contemporaries. Latest release ‘By My Side’ showed a smooth slice of warm synthpop with a polished production that offered up a cinematic panorama of electronic goodness (as our review explained).

‘By My Side’ follows on from the 2016 double A-side single ‘Demons’/’Seeing Stars’. A third single release, ‘Bare My Soul’, was released on 21st April, followed by a PledgeMusic campaign to fund the release of their long-awaited debut album. Titled Safe From Harm, the album will also be accompanied by a new single taking the title of the album.

Safe From Harm is released 23rd June.

More info:
Soundcloud.com/EmpathyTest
Facebook.com/EmpathyTest
EmpathyTest.com


GARY NUMAN – Savage

Electropop pioneer Gary Numan returns with new studio album Savage. The new album draws from Gary’s ideas that he’s been developing for some time for a potential novel. “My long neglected Science Fantasy epic that will probably never see the light of day but, much as the short stories I was writing around Replicas time did for that album, so this permanently unfinished book is giving me a huge amount of material to write new songs about”.

Savage, which will be released via the BMG label, sees Gary working once again with Ade Fenton as producer. The album has been supported by a PledgeMusic campaign which gives pledgers unique, inside access to progress at every level, via text updates, audio updates and video updates and the chance to hear new music from early demos, through early production and guide vocals to the fully produced but pre-mixed versions prior to the mastered versions that will be on the finished album.

Savage is due for release in August via BMG.

More info:
https://garynuman.com/


GIRL ONE AND THE GREASE GUNS – Night Of The Living Electrical Appliances

While The Strange Little Lines That Humans Draw In The Dust effectively gathered together Girl One’s previous output, the band had announced plans for a standalone album in the works.

Night Of The Living Electrical Appliances will be an 11 track album released on Next Phase : Normal Records (which is Girl One And The Grease Guns’ own label). It will be a vinyl release (and download too). All tracks were recorded at The Glass Factory in 2016. Among the tracks featured on the new album, we have intriguing titles such as ‘The Voices In The Walls’, ‘Deaden The Glare’, ‘He’s A Replicant’ and ‘She Sits In The Freezer’.

While further details on Night Of The Living Electrical Appliances are still to be unveiled, it’s likely that the outfit will continue to deliver on their manifesto of “causing confusion with a mixture of pure synth pop and more experimental electronic sounds”. So nothing like Mumford & Sons then.

Night Of The Living Electrical Appliances – release date scheduled for summer.

More info:
https://www.facebook.com/Girl-One-And-The-Grease-Guns-440754999339179/


SPARKS – Hippopotamus

Having formed long before synthesizers had actually been invented, classic duo ‘The Sparks’ still managed to craft some unusual, innovative tunes during their formative years.

Now still active in the 21st Century, brothers Ron and Russell Mael will released their 22nd studio album Hippopotamus in September.

Sparks’ music has always been innovative and instantly identifiable. Recorded in Los Angeles, Hippopotamus sees them take the pop form, shake it up, and create an album that is adventurous, fresh and idiosyncratically ‘Sparks’.

More info:
Hippopotamus will be released on 8th September.
Pre-order the album via https://sparks.tmstor.es/cart/product.php?id=31873


BLANCMANGE – Unfurnished Rooms

The reformation of Blancmange, and the subsequent release of 2011 album Blanc Burn, came as a surprise (particularly to those fans of traditional English desserts).

The synthpop outfit had recorded one of the most highly regarded electronic music albums of the 1980s with the release of their debut album Happy Families in 1982.

Neil Arthur has since continued to both tour and release new material under the Blancmange banner, with the last release being the 2016 album Commuter 23.

Details on the latest Blancmange album Unfurnished Rooms is scarce at present, although dates for a UK tour have been announced for the autumn.

More info:
Unfurnished Rooms is due for release on 22nd September, 2017.
http://www.blancmange.co.uk/


ORCHESTRAL MANOEUVRES IN THE DARK – The Punishment Of Luxury

OMD’s 2013 album English Electric was critically acclaimed and demonstrated that the classic synthpop outfit were still very capable of producing intelligent electronic music in the 21st Century.

OMD’s 13th studio album The Punishment Of Luxury was inspired by a painting by 19th Century artist Giovanni Segantini. Describing the themes of the album, Andy McCluskey remarked: “First world problems. All of the shit we have to deal with is only a problem that’s created for you by some suggestion that came from a marketing man or a PR job that’s been done on you. Everything you think you know was placed there by a marketing man… Everything you think you want, you don’t”. That said, we’ll got out on a limb and suggest that it’s probably highly likely that OMD fans will want this album.

The Punishment Of Luxury is scheduled for release in September.

More info:
http://www.omd.uk.com/
Read more about the album on our sister site Messages: The Punishment Of Luxury.


A-HA

Norwegian EDM and dubstep specialists a-ha can’t decide whether to retire or not (as 2015’s Cast In Steel album demonstrated). But now plans are underway for a special live acoustic album and concert film from a series of intimate performances to take place between 26th June – 30th June this year.

According to Morten Harket, “The band is finally coming together for live acoustic recordings of a wide selection of our songs! As we speak, there is palpable growing excitement about this in the group. We had wonderful moments with the fans during our last tour, and as a fourth member of the band you certainly have had an influence on our commitment to this. I really look forward to it all!”

In early 2018, a-ha will take this special acoustic set on the road. Magne, Morten and Paul will be joined by a handpicked ensemble of musicians to embellish and reinvent the classics, as well as present new material in acoustic arrangements.

The album, DVD and broadcast are scheduled for release in November 2017.

More info:
http://a-ha.com/news/articles/acoustic-evening/


FREEZEPOP

US synthpop outfit Freezepop have embarked on the crowdfunding route to launch their 5th studio album. Raising over $88,000 via Kickstarter, the Boston-based group have also added on goodies such as bonus albums, vinyl releases, cover version requests, comic strip and even a sandwich (overseas customers will unfortunately have to make do with a picture of a sandwich…).

The new album follows on from 2007’s Future Future Future Perfect, which featured the crunchy dynamics of ‘Less Talk More Rokk’ and the wistful ‘Thought Balloon’. Details of the new release have yet to be confirmed, although on the topic of the potential songs, the band suggests they’re “deeply awesome”.

More info:
http://www.freezepop.net
http://www.kickstartfreezepop.com/

Album details and release date TBC


U96 – Reboot


German electronic act U96 are best remembered for ‘Das Boot’ (a techno styling of Klaus Doldinger’s 1981 film theme) and Eurodance hits such as ‘Love Sees No Colour’ and ‘Love Religion.’

U96 will shortly release their seventh album, Reboot, the follow-up to 2015’s The Dark Matter EP. Tracks include the excellent ‘Monkeys’, which was previewed last year, and a collaboration with former Kraftwerk percussionist Wolfgang Flür.

Release date TBC.

More info:
https://www.facebook.com/U96reboot/


DAYBEHAVIOUR – Based On A True Story

3-piece synthpop outfit Daybehaviour caught our attention with the 2003 release ‘The Sweetness of My Pain’ and TEC also reviewed their third album release Follow That Car! in 2012. Their talent for melody and classy, sophisticated dreampop was front and centre on the tracks featured on that album.

The Stockholm-based outfit have been working on their fourth album titled Based On A True Story for a while. The first song to be taken from the album was the stylish pop appeal of ‘Change’, which appeared in 2015. The group have provided updates on the album’s development recently and they appear to be getting close to a release date.

Release date TBC.

More info:
https://www.facebook.com/DayBehavior/
https://www.youtube.com/channel/UCx1KaWdnouVOq2TmLEfbaZw
http://www.daybehavior.com/


Outside of the albove, there’s also new releases mooted by TR/ST, The Sound Of Arrows and Princess Century (aka Austra’s Maya Postepski) and possibly a new studio album from Electric Youth (following on from their work with Nicolas Winding Refn for a curated album connected with the film The Neon Demon).

Thanks to Stuart Kirkham at Hall or Nothing and Darren at Next Phase : Normal Records.
Also Barry Page and Soopy for additional input.


PRINCESS CENTURY Rendezvous

PRINCESS CENTURY offers up a bonus selection of electronic delights…

With the release of 2015’s Progress, Princess Century (aka Maya Postepksi) had successfully stepped up from her debut album Lossless as well as demonstrated that the Toronto musician’s work with the likes of Austra and Trust weren’t the sole limits of her talents.

The tracks on new EP Rendezvous were recorded during the original Progress sessions, but had been shelved from inclusion as they didn’t quite fit the vibe of Progress. “The tracks didn’t quite work on the album” according to Maya, “but I felt they shared a weird Krauty EDM vibe…I love the concept they tied in with the single, Rendezvous: a meeting with someone that is arranged for a particular time and place and that is often secret.”

‘Robber’ employs buzzy electronica as the foundation for a starkly disconcerting slice of electronica. As with other Princess Century material, the music can offer up a cryptic – at times sinister – feel to them and ‘Robber’ is no exception.

Meanwhile, the warmer tones of ‘Wet’ delivers a more abstract approach with its squelchy synths and layered electronic appeal.

The title track actually has a slighter older heritage than the Progress material, having originally appeared on a Stellar Kinematics compilation back in 2013. Underpinned by a driving synthetic bass, ‘Rendezvous’ has a percussive appeal that offers a nod to the bassy tones of Austra, while also weaving in the sweeping electronic washes of the likes of Jean Michel Jarre. It’s new guise also drops in some additional reedy synth fills to give the tune a much more expansive feel.

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To accompany the EP’s release, a new video for ‘Rendezvous’ has also been released directed by Patricia Aldridge (who previously worked with Maya on videos for the likes of ‘Discoset’ and ‘Sunscream’). The psychedelic qualities of the video have a science fiction quality that Aldridge herself describes in part as Maya having “intercourse with the universe”. It’s wild, it’s trippy and it’s brilliant.


Rendezvous is released by Paper Bag Records and is available now.

You can stream the Rendezvous tracks on the Brooklyn Vegan website.

http://princesscentury.com

This article originally appeared on the Wavegirl site.


PRINCESS CENTURY Lossless

You’d think that between TRUST and AUSTRA, the talented MAYA POSTEPSKI would have all her free time accounted for. So it was somewhat surprising to learn that she’s also embarked on a solo project titled PRINCESS CENTURY…

Releasing a vinyl-only album titled Lossless in April 2013, Postepski demonstrated a flair for the experimental. Those expecting Lossless to be retreads of Austra/Trust material are probably going to be disappointed. Instead, this is Postepksi exploring sound and composition.

Lossless (inspired in part by the Charles Manson murders) shows Maya experimenting with a variety of approaches to electronic music and mixing, often with dark overtones. ‘Le Rayon Vert’ pulls in video game tunes and acts in some ways as an overture for the album, while ‘Palace’ gives us a brooding drum machine-driven track augmented with vague vocals.

It’s clear that Maya is less interested in conventional song composition and more interested in exploring sound forms and styles. As a result, many of the vocal elements tend to be obscured in washes of echo (as with ‘Twin House’) or used for rhythmic effect (such as on the ominous tones of ‘PiG’)

A clearer take on Maya’s pipes is evident on ‘Giving It Away’ while ‘Love and Money’ (a collaboration with Danish electronic musician Heidi Mortenson) presents a track featuring the metallic-sounding percussion that Maya uses to great effect on Austra material.

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AMAZON

Meanwhile, ‘Crummy Bones’ is more of a lo-fi percussion-driven track with brief synth interludes. ‘Das Schlimmste’ paints a soundscape in battleship grey for an electronic composition that hints at menace. The synthetic soundscape and beats of ‘Heaven Rock’ presents one of Lossless’ finest moment with its electronic melodies and dreamlike moods. At times it sounds like Kraftwerk playing with triphop!

While no precise details about where Princess Century will be going with the new album, a contribution to a recent Stellar Kinematics compilation suggests a much tighter approach to future material. The track, titled ‘Rendezvous’, offers up a percussive number that could almost be Austra meets Jean Michel Jarre.

A follow-up album (as yet untitled) is scheduled for release in the spring


http://princesscentury.com
http://soundcloud.com/princesscentury/sets/lossless-1


Text by Paul Browne
2nd January 2014