The music business and journalism in general is spattered with assorted jargon, terminology and buzz words. Even The Electricity Club has taken to introducing some of its own language with a handshake, big smile, good guy profile.
So to clarify exactly we and other blogs are possibly going on about, please find here listed, a glossary of terms with The Electricity Club’s not always entirely serious definitions for the amusement of our readers and casual observers alike 😉
TEC wishes to acknowledge The Word Magazine for providing the inspiration for this article.
80s : That decade between 1980 to 1989; but term commonly used by lazy, uninformed journalists to describe any synth based music. Please note, not an instrumentation style or a genre of music…
Abba-esque : Reference to any Scandinavian act who uses a two-part vocal melody. See also: Nordic
Acoustic : Term used by OMD fans to refer to a stripped back duo performance by Andy McCluskey and Paul Humphreys, despite very obvious use of laptop and Roland Fantom X8 Workstation
Analogue : Signals or information generated by continually changing quantities of electrical current. Great sound when quality equipment is available to handle it, less noticeable on budget systems. Please note, not a genre of music…
Ambient : Electronic music with no beat, popular with insomniacs
Artful : Pretentious
Audio-Visual Experience : Live performance with a Powerpoint slide show
Blokey : Scruffy male member of band out to steal vocal limelight from attractive female lead singer with a far superior voice
Bluesy : American sounding
Cerebral : Best listened to while on drugs
Chav Rave : Aggressive, speeded up club music… popular in Doncaster!
Chill Out : Dance music that clocks in at less than 118 BPM
Chromatic : Eastern European sounding
Cinematic : Music that sounds like it has been produced properly
Classic : Old
Cold War Chic : Romanticised term to describe post-war Eastern European fashions and cultural reference points without referring to Communism. Please note, not Brezhnev’s answer to disco…
Darkwave : Loud electronic music with doomy gothic vocals
Deadpan : Spoken
Deep House : Jazz Funk produced using technological means
Devoted : Nickname for long standing DEPECHE MODE fans, usually dressed in black with outstanding Facebook friend requests to Alan Wilder
Digital : Signal or information generated as a series of numbers in electrical signals. Less tactile than analogue but certainly not the death of music as we know it.
DIY : Recorded badly
DJ : Person who presses ‘play’ button
Dolls House : A house for dolls, not to be confused with ‘House Of Dolls’, the controversial book by Polish born Jewish writer Ka-Tzetnik from which JOY DIVISION got their name!
Drum ‘n’ Bass : Frantic, off-beat variant of dance music characterised by rhythm that sounds like it’s come from a drum machine that’s been thrown down the stairs and switched on again
Dubstep : Freakish bass driven form of dance music based on half step patterns popularised by SKRILLEX, sounds like a skipping CD!
Duranie : Nickname for long standing female DURAN DURAN fans, usually still very glamourous and with a penchant for standing on the left hand side of gigs
EDM : Short for ‘Electronic Dance Music’, what Americans call ‘rave’…
Electro : Loose categorisation used by London club nights actually meaning ‘R’n’B’. Please note, this includes themed evenings named after classic No1 synthpop songs… what d’ya mean “you were working as a waitress in a cocktail bar”?
Electroclash : Failed early 21st Century attempt by Ministry Of Sound to combine dance music and DJ culture with synthpop and New Romantics into one centralised entity. Please note, record labels still persisting in centralisation attempts today with promotional campaigns such as Electrospective… Mussolini was another one who was into the idea of centralisation!
Electronica : Electronic music that’s not synthpop
Electropop : Generally accepted term used to describe electronic music with a tune. See also: Synthpop
Electro-Industrial : Industrial with less shouting and more of a synthpop element
Electro R‘n’B : R’n’B
Emotive : Will make you to want to slash your wrists
Experimental : No tunes
Folktronica : Acoustic songs accompanied by a drum machine
Future Pop : Dark synthpop
Guitar Solo : Similar to premature ejaculation… you know when it’s going to happen but there’s sod all you can do about it!
Hauntronica : Slow, brooding electronica made by moody female musicians pretending to be witches! See also: Witch House
Hipster : Obnoxious music fan, usually with beard and ironic sense of vagrant fashion who jumps on anything new and claims it to be the next big thing… but will disown it if it actually does become the next big thing! Considers promotion to be corporate prostitution
Industrial : Loud electronic music with shouting
Influential : Always being ripped off!
Interpolation : Piece of music analysed, then manipulated and passed off as the creation of another!
Intimate venue : Pub
Jazz funk : Tedious fusion of funk and jazz characterised by virtuoso slap bass and endless sax solos. Soundtrack of school bullies during the Synth Britannia era
Keyboards : What Americans call synthesizers
Kling Klang : KRAFTWERK’s recording studio, also loosely used to describe anything KRAFTWERK related or influenced… much better term than ‘Krafty’
Landfill Electro : Similar to ‘Landfill Indie’, a wasteland of ubiquitous but derivative, bland music… only with synthesizers!
Leftfield : Weird
Live Band : Acts like much loved Irish combo U2 who are considered “one of the best live bands in the world” by real music purists, even though they actually use almost as much programming and sequencing as PET SHOP BOYS!
Maestro : Long standing musical innovator still making cracking tunes that put younger acts to shame.
Minimal Synth : DIY sub-genre that does exactly what it says on the tin… minimal tune, minimal instrumentation, minimal production values and minimal promotion. Characterised by off-key vocals… acts can take up to 30 years to release an album and often exclusively on cassette
Mittel Europa : Romanticised term to describe Europe in the first half of 20th Century without referring to The Third Reich!
Modernism : Intelligent, uncluttered design and cultural philosophy largely initiated by Walter Gropius and Bauhaus… that’s the German art movement, not the Gothic rock band led by Peter Murphy who was a key influence on the ‘Twilight’ saga!
Motorik : Beat style formulated by Klaus Dinger of NEU! that actually originated from Native American Apache tribes. Template featured on drum machine programs of countless OMD songs!
Musical Differences : Phrase meaning “Someone in the band wants to use a banjo!”
Nervous Exhaustion : Drug problem
New Wave : What Americans call music with keyboards from 1977 and beyond
Nordic : Loose term used to describe melodic, melancholic music coming from Sweden, Norway, Denmark, Finland and Iceland as the latter two are technically not Scandinavian. See also: Abba-esque
Nostalgia Business : Economic model based on recycling old material for public consumption. Please note, this includes using archive photos to promote new projects and 180 gramme vinyl reissues which seem to overlook the inclusion of the original album’s inner bag… what a confidence trick!
Numanoid : Nickname for long standing GARY NUMAN fans, usually still seen wearing ‘Telekon’ jump suits from 1980 at recent Numan gigs on the ‘Splinter’ tour!
Pentatonic : Oriental sounding
Personal Differences : Phrase meaning “the bassist’s girlfriend has just moved in with the singer!”
Programmer : Person who presses buttons
Real Music : Mysterious all encompassing genre much loved of hipsters that does not feature synthesizers or drum machines… banjos and beards figure highly though
Sample : Piece of music taken wholesale from original recording, then manipulated and passed off as the creation of another!
Sawtooth : Piercing waveform used to simulate brass on synths but now ubiquitous in its stabbing spacey variant on horrible Beatport tracks which DJs pass off as electronic music!
Schaffel : Hard, Germanic 6/8 danceable beat made popular in Glam Rock and reutilised to startling effect by GOLDFRAPP
Schizophrenic : Music with two incongruous but simultaneous genre personalities… hang on, who said that?
Soaring Melodies : High register out-of-tune vocals used to feign emotion and sensitivity, often found in ‘Landfill Indie’
Softsynth : A computer program or plug-in for digital audio generation. Can sound ‘analogue’ but isn’t. Please note, not a cushioned head support with a Minimoog pillowcase
Stunning Return To Form : Phrase meaning “The last album was cr*p, the new one is much better… sort of!”
Stuttering : Not in time
Syncopated : Rhythm construction using an accented off-beat that makes music looser and more fun via a teasing, elasticated momentum. Also makes music much more danceable for the ordinary person without the use of drugs, hence the difference between “music you can dance to” and “dance music” which often consists of death by 4/4 and can’t be danced to without drugs!
Synth Britannia : Originally a BBC4 documentary but used as a term referring to the golden period between 1977 to 1982 when the synthesizer went mainstream in Britain and took over the world… briefly! Please note, only three of its six years were part of that decade between 1980 to 1989!
Synthesizer : Electronic music instrument that generates waveforms into tuneable sound. Voltage controlled analogue version developed into a commercially viable proposition by Dr Robert Moog in 1965, FM digital variant made popular by affordable Yamaha DX7 in 1983. Not always controlled by keyboards, synthesizers can sometimes be driven by sequencers, voices, wind instruments, drums and even guitars!
Synthpop : Polarising term used to describe electronic music with a tune. Also known as synth-pop, Synth Pop, electropop, Electro Pop, Electro-pop and 80s…
Techno : Songless repetitive monotony made for clubs… Songless repetitive monotony made for clubs… Songless repetitive monotony made for clubs… Songless repetitive monotony made for clubs…
Teutonic : Less controversial way of saying “would sound great at the Nuremberg Rally!”
Thatcher Era : Metaphor for that decade between 1980 to 1989!
Trance : Dance music influenced by JEAN MICHEL JARRE fused to an uptempo beat
Uncompromising : Unlistenable
Unorthodox : Can’t Play
Unrivalled : No-one has tried copying their sound
Urban : R’n’B
Vinyl Replica Sleeve : Miniature cardboard packaging for CDs much beloved particularly by Mute Artists in order to recreate LP nostalgia for the ordinary listener. Actually defeats object of CD’s superior durability in the first place by encouraging the playing surface to scratch when being removed from sleeve for playing… jewel cases were invented for a reason, even fragile digipaks didn’t cause damage to the CD!
Vintage : Preferred word to ‘analogue’ used to describe a classic sounding synth tone which may actually have been produced using a VST plug-in
VST : Short for ‘Virtual Studio Technology’, the software interface that integrates software synthesizer and effect plug-ins with recording systems
Wanabee : Musician who attempts to gain ubiquity despite limited talent through endless self-promotion via social media
Warm : Incorporates hisses and scratches. See also: Analogue
Witch House : Not to be confused with “Which house?” as in House, Acid House, Progressive House, Deep House, Dolls House, Ambient House, Hard House, Tech House, Chicago House, Edison Lighthouse, EDM, Rave, Chav Rave, Techno, Trance etc!
Text by Chi Ming Lai
Additional Input by Jer White and Paul Browne
6th January 2014